Dear Zindagi
Director: Gauri Shinde
Cast: Alia Bhatt, Shah Rukh Khan, Kunal Kapoor, Ali Zafar, Angad Bedi, Aditya Roy Kapur, Yashwasini Dayama and Ira Dubey
Rating: 2/5
Four years after her much-appreciated debut with English Vinglish, filmmaker Gauri Shinde is lower back with another lady protagonist-targeted tale that aims to unsettle cliches in our judgemental society - expensive Zindagi.

Starring Alia Bhatt because the lead and Shah Rukh Khan as her psychiatrist, pricey Zindagi is set Kaira (Alia) - an aspiring cinematographer who does small commercials and projects, however, wants to shoot a whole characteristic movie. The introductory collection - with Kaira’s assured banter and hands-on frame language - assures us that she is certainly gifted and knows her task well. but, while she is obtainable a large break in a characteristic movie, she isn't sure if it's miles because of her skills or because one of the co-producers finds her hot. This co-producer, Raghavendra (Kunal Kapoor), is also only with whom Kaira is dishonest on her modern love, Sid (Angad Bedi).

Quickly, we get to recognize Kaira and her issues - a profession lady who isn’t positive whether or not she must thank her expertise or looks for the possibilities and one who's coping with a coronary heart spoil after a guy ditched her for any other woman. Rendered homeless after her landlord asks her to vacate due to the fact “she is single”, she comes to a decision to transport to her home city, Goa. because she shares a as an alternative disturbing dating together with her mother and father, it makes her all of the greater sad on the thought of living with them. Sounds relatable. To deal with it all, Kaira decides to satisfy a ‘dimag ka physician aka DD’.

Input Shah Rukh Khan and the frame lighting fixtures up along with his allure and air of secrecy. Shah Rukh’s psychiatrist is being concerned, captivating and witty. The movie then strains Kaira’s periods with Dr Jehangir Khan aka Jug who doles out gyan on existence, coping with courting, handling one’s feelings, staying happy and much greater. With a strong plotline backing the film, it is able to were as inspiring and attractive a story as Gauri’s debut (Sridevi-starred English Vinglish) but falls manner at the back of.

The way Kaira narrates her personal fears and weaknesses to Jug is quite unreal. The dialogues are complete of cliches and do not come across as herbal. With stuff like a stoned person announcing “Genius who Nahi Hota like pass sab seawall ke jawaab hon, genius wo hota hai jiske paas jawaab tak pahunchne ka patience ho”, or a psychiatrist pronouncing “we are all our very own teachers in the school of existence”, it is a tough fight to make it sound realistic.
There is a lot of banter in the film that is meant to be deep and philosophical but is truly simply plain, hollow banter.
Gauri, although, flaunts her excellence in her 2d film, presenting a professionally strong and clean woman protagonist, who doesn’t shy of telling her boyfriend that she cheated on him and even apologises to him. The movie also brings any other milestone in Bollywood cinema with nearly the complete tale being set within a psychiatrist’s periods - breaking cliches of going through a intellectual infection. And the pleasant element is that Kaira isn’t even depressed, she actually visits the therapist because she couldn’t sleep for three days.

Closer to the climax, Alia confronts her own family and talks of all the fears she has been struggling with - in a sequence that may be a clear reminder of a comparable scene from Imtiaz Ali’s motorway (2014). Alia aces being the clever professional as much as she does being the scared, younger female.

Whilst Aditya, Kunal and Ali Zafar, who seem as her fanatics or boyfriends, are extra of guest actors than well etched characters, it’s Kunal Kapoor who gets an area many of the kids and essays his part with finesse. Shah Rukh Khan brings his experience and appeal to the position and makes Jug memorable along with his wits.
The screenplay and dialogues, but, prevent the film from being fantastic. another point that virtually didn’t work comes whilst Kaira desires but any other romantic relationship to lean upon, regardless of the whole movie doling gyan on how romance isn’t the be-all and cease-all in lifestyles.

If simplest Gauri delivered better-etched characters and delved more into the emotional turmoils of her lead, this will were a notable “slice-of-life” film with numerous messages to be lauded for. What she ends up with is a “ought to-have-been-brilliant” movie..